For a Senecan-styled tragedy of inordinate bloodshed, things work out remarkably well for the characters who survive John Marston’s 1602 Antonio’s Revenge...
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Self-harm as spectacle in “Measure for Measure” (Donmar Warehouse, 2018)
Sometimes a play can be so callous, so poorly-judged, so utterly tone-deaf that one isn't sure whether to laugh or cry. On this occasion, however, my mind is rather made up.
