“I depart laughing”: Living Death in the “The Lady’s Tragedy”
Few plays explore the rich dramatic potential of living death as explicitly as Thomas Middleton’s The Lady’s Tragedy (or, The Second Maiden’s Tragedy, as the play is sometimes known), a tragedy that in the first three acts alone presents suicide, grave-robbing, defiled corpses, and ghosts. Middleton did *not* do these things by halves.
Fatherly and Fearsome: the Ghost in Kenneth Branagh’s Hamlet (1996)
Does Branagh’s “Hamlet” offer audiences the most complete and compelling version of the Ghost to be put to film. I think so.