When I look back on my first BritGrad conference in 2018, I still struggle to put into words what a profound and lasting effect the entire experience had on me both professionally and personally. BritGrad was, without doubt or hyperbole, a defining moment in my academic journey...
Tag: Shakespeare
“Conference With the Dead”: A Brief History of Haunting
This chapter is part literature review, part mission statement: in it, I outline how the notion of a "ghost" would have been understood by somebody living at the turn of the 17th Century. What - or who - *were* ghosts? What did they look like? Where did they come from? Most importantly, I begin to explore how might the various historical, religious, and political significations of the ghost may have influenced the characters we see on the early modern stage...
Review: A Midsummer Night’s Dream (Poltimore House and Grounds, Devon, August 2019) – A Midsummer with heart!
There was a great deal to laugh about in this production. More impressive, though, was the way it left the audience smiling afterwards. This was a Midsummer with heart as well as humour - a most rare vision indeed...
“I depart laughing”: Living Death in the “The Lady’s Tragedy”
Few plays explore the rich dramatic potential of living death as explicitly as Thomas Middleton’s The Lady's Tragedy (or, The Second Maiden’s Tragedy, as the play is sometimes known), a tragedy that in the first three acts alone presents suicide, grave-robbing, defiled corpses, and ghosts. Middleton did *not* do these things by halves.
3-Minute Reads // Antonio’s Revenge: a peek into Marston’s metatheatrical closet…
For a Senecan-styled tragedy of inordinate bloodshed, things work out remarkably well for the characters who survive John Marston’s 1602 Antonio’s Revenge...
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